| Titel : |
Auftritt, Interview /2 Exemplare |
| Materialart: |
video, projectable document |
| Publikationsdatum: |
? |
| Seitenzählung: |
40 Min. |
| Layout: |
60028 |
| Sprache : |
English (eng) |
| Deskriptoren: |
02. Feministische Praxis
06. Pop Culture: Musik / Fanzines / Mode / Subkulturen
|
| Abstrakt: |
1 Sleater Kinney:Carrie Brownstein und Corin Tucke
2 Lydia Lunch |
| Anmerkung Inhalt: |
1 Gegründet wurde PAROLE TRIXI 1998 von der Ex-Spex-Autorin Sandra Grether, von Elmar Günther und der ehemaligen Lassie-Singerin Almut Klotz. Nach einigen Konzerten sagte Almut Klotz «Tschüss» und gründete das Label «Flittchen Records», auf dem der Sampler «Stolz und Vorurteil, a compilation of female Gesang, Gitarre und Elektronik» erschien, u.a. mit «Punkrock», dem ersten Song, den PAROLE TRIXI überhaupt veröffentlichten.
Kurz nach Almuts Ausstieg kamen Christine Schulz als Gitarristin und Jule Kruschke als Bassistin in die Band. PAROLE TRIXI traten fortan häufig live auf, zuletzt im September vor Blumfeld in der ausverkauften «Grosse Freiheit.» Anfang 2001 stieg Cordula Ditz, eine Freundin der Band - und Sängerin & Gitarristin der All-Girl-Noise-Rock-Band «Schlampen ficken besser»- für Jule als Bassistin ein. Mit diesem Bandgefüge wurde u.a. im Hamburger Soundgarden die Studioarbeit begonnen.
2 “The only way to define the art of Lydia Lunch is simply not to.
Hailed by the Boston Phoenix as «one of the 10 most influential performers of the 90's», no other artist of the 20th century has fought, forged, punched, and sculpted their own artistic vision in such a uniquely original way. Defying categorization, Lydia Lunch actively has conquered new territories, and has gained international recognition for the innovative quality of her work.
Through music, books, spoken word performances, film, video, photography, poetry and a multitude of creative endeavors, Lydia Lunch has proven to be one of the most interesting and daring artists of the current era. While many others of her generation have dissolved into the trappings of commercialism, her artistic vision has, through the years, been strengthened, redefined, and focused into an expression uniquely her own.
Baptized as a confrontationalist, Lydia Lunch commenced at age 16 as primal screamer and guitar guerrilla for the seminal «no-wave» band Teenage Jesus and the Jerks (1976). In early 1978, artist and producer Brian Eno attended a series of shows put on to benefit the Artist's Space in Soho and influenced Island Records to finance an anthology LP featuring the four strongest bands- Teenage Jesus and the Jerks, The Contortions, Mars and DNA. The resulting recording, entitled No New York and produced by Eno, remains as one of the most impressive — and extraordinarily bold — debuts of the time.
Simultaneous to Teenage Jesus, Lunch formed Beirut Slump, released one single and recorded an album's worth of material. Her solo debut, 1980's Queen of Siam, proved to be one of her most acclaimed efforts, influencing an entire generation of underground bands and artists. Flavored with a big-band cabaret sound provided by The Billy Ver Plank Orchestra, featuring sophisticated arrangements by Ver Plank himself, and an appearance by noted guitarist Robert Quine, the album proved that Lunch could embark in new directions and succeed.
Also a critical success and favorite of the New York rock reviewers, her next band, 8 Eyed Spy brought Lunch into a more traditional rock format. After 1982's 13.13, which featured former members of the Weirdos, Lunch began a series of collaborations, working with Nick Cave and The Birthday Party on the EP The Agony Is the Ecstasy, as well as Einsturzende Neubauten, Die Haut, Sort Sol, The Swans' Michael Gira, Marc Almond, and Thurston Moore of Sonic Youth.” http://www.lydia-lunch.org |
Auftritt, Interview /2 Exemplare [video, projectable document] . - ? . - 40 Min. : 60028. Sprache : English ( eng)
| Deskriptoren: |
02. Feministische Praxis
06. Pop Culture: Musik / Fanzines / Mode / Subkulturen
|
| Abstrakt: |
1 Sleater Kinney:Carrie Brownstein und Corin Tucke
2 Lydia Lunch |
| Anmerkung Inhalt: |
1 Gegründet wurde PAROLE TRIXI 1998 von der Ex-Spex-Autorin Sandra Grether, von Elmar Günther und der ehemaligen Lassie-Singerin Almut Klotz. Nach einigen Konzerten sagte Almut Klotz «Tschüss» und gründete das Label «Flittchen Records», auf dem der Sampler «Stolz und Vorurteil, a compilation of female Gesang, Gitarre und Elektronik» erschien, u.a. mit «Punkrock», dem ersten Song, den PAROLE TRIXI überhaupt veröffentlichten.
Kurz nach Almuts Ausstieg kamen Christine Schulz als Gitarristin und Jule Kruschke als Bassistin in die Band. PAROLE TRIXI traten fortan häufig live auf, zuletzt im September vor Blumfeld in der ausverkauften «Grosse Freiheit.» Anfang 2001 stieg Cordula Ditz, eine Freundin der Band - und Sängerin & Gitarristin der All-Girl-Noise-Rock-Band «Schlampen ficken besser»- für Jule als Bassistin ein. Mit diesem Bandgefüge wurde u.a. im Hamburger Soundgarden die Studioarbeit begonnen.
2 “The only way to define the art of Lydia Lunch is simply not to.
Hailed by the Boston Phoenix as «one of the 10 most influential performers of the 90's», no other artist of the 20th century has fought, forged, punched, and sculpted their own artistic vision in such a uniquely original way. Defying categorization, Lydia Lunch actively has conquered new territories, and has gained international recognition for the innovative quality of her work.
Through music, books, spoken word performances, film, video, photography, poetry and a multitude of creative endeavors, Lydia Lunch has proven to be one of the most interesting and daring artists of the current era. While many others of her generation have dissolved into the trappings of commercialism, her artistic vision has, through the years, been strengthened, redefined, and focused into an expression uniquely her own.
Baptized as a confrontationalist, Lydia Lunch commenced at age 16 as primal screamer and guitar guerrilla for the seminal «no-wave» band Teenage Jesus and the Jerks (1976). In early 1978, artist and producer Brian Eno attended a series of shows put on to benefit the Artist's Space in Soho and influenced Island Records to finance an anthology LP featuring the four strongest bands- Teenage Jesus and the Jerks, The Contortions, Mars and DNA. The resulting recording, entitled No New York and produced by Eno, remains as one of the most impressive — and extraordinarily bold — debuts of the time.
Simultaneous to Teenage Jesus, Lunch formed Beirut Slump, released one single and recorded an album's worth of material. Her solo debut, 1980's Queen of Siam, proved to be one of her most acclaimed efforts, influencing an entire generation of underground bands and artists. Flavored with a big-band cabaret sound provided by The Billy Ver Plank Orchestra, featuring sophisticated arrangements by Ver Plank himself, and an appearance by noted guitarist Robert Quine, the album proved that Lunch could embark in new directions and succeed.
Also a critical success and favorite of the New York rock reviewers, her next band, 8 Eyed Spy brought Lunch into a more traditional rock format. After 1982's 13.13, which featured former members of the Weirdos, Lunch began a series of collaborations, working with Nick Cave and The Birthday Party on the EP The Agony Is the Ecstasy, as well as Einsturzende Neubauten, Die Haut, Sort Sol, The Swans' Michael Gira, Marc Almond, and Thurston Moore of Sonic Youth.” http://www.lydia-lunch.org |
|
Auftritt, Interview /2 Exemplare